Summer School

2025

We hosted a super line-up of speakers during our introductory Free Art Summer School in 2025. Here is a look back at some of the fascinating topics that were explored.
Close-up portrait of a person wearing a protective mask, partially visible shoulder and upper arm, in black and white.

The [c] Word: Linda Alterwitz

For our first instalment of The [c] Word, American artist, Linda Alterwitz, presented her project, Injection Site, a unique record of the Covid-19 crisis imaged through a thermal camera.

Saturday Town ©Casey Orr 2025

The [c] Word: Casey Orr

Since 2013, American photographer, Casey Orr has travelled the UK with her pop up portrait studio Saturday Town, documenting youth culture on Saturday afternoons.

©2023 Svetlana Atlavina

The [c] Word: Svetlana Atlavina

Svetlana is a Latvian UK-based visual artist who has built a socially conscious practice dealing with memory and the role of women. She discussed the notion of endurance that motivates her work.

Self Burial ©2021 Gemma Marmalade

The [c] Word: Gemma Marmalade

Using herself as her own muse, this presentation tackled the nuances of a documented performance that encompasses gender, identity, politics, and technology from her vibrant research-informed practice combining performance and performativity with the image.

©2023 Elisha-Mai Gascoigne

The [c] Word: Elisha-Mai Gascoigne

Elisha presented her experimental photographic project, Weather with Me, a body of photographic work exploring the changing weather patterns. She spoke candidly about embracing serendipity as a meaningful mode of creativity.

Breathing in Rain #1 ©2023 Jane Boyer

The [c] Word: Jane Boyer

Jane deconstructed her failed submission to Der Grief Magazine Guest Rooms, of a new body of work called Breathing in Rain which explored a period of intense rainfall in the winter of 2024/25 contributing to her feelings of eco-anxiety that underpin her practice.

©2025 Ayeshah Zolghadr

The [c] Word: Ayeshah Zolghadr

Ayeshah shared her insights on the research questions underlying her work and explained how the concept of ‘The Individuated Copy’ has been central to the development of her art practice.

An abstract artwork featuring a repetitive pattern of black and white elements on brown paper, showcasing intricate lines and shapes.

The [c] Word: Claire Morris-Wright

Through two of Claire’s most significant projects, Hedge Project and Arts Council England funded The Path, she addressed the tensions between being a creative and the work done outside the studio to create opportunities for ourselves and our creative communities.