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artists and writers
Beyond the Studio: Why Critical Dialogue Matters to Contemporary Art Practice
Feeling Smartly: In the dust motes for CLOT Magazine by Sarah-Jane Field
Spill the ‘T’ – ‘situate and agency’ with Karl England
Let The Rope Break
[c]CC Art School presents The [c] Word: Sarah-Jane Field
Where the example becomes the call
Choosing Each Other: Respect, Freedom, and the Collective Conditions of Artistic Becoming
The Month With Two Faces: Art, Darkness, and the Strange Abundance of December
[c]CC Art School presents The [c] Word: Dr Dawn Woolley
The Leicester Effect: Where Local Graft Meets Global Art Futures
Las Vegas Is Not Your Intellectual Spa Day
Gypsy Woman (La Da Dee): the female traveller depicted in contemporary art practice
Becoming Otherwise: Art, Difference, Disability, and the Struggle for Freedom in 2025
The Problem of the Artist Statement
Impossible Nothings: On the Brilliance of Divergent Student Work
Layers of Memory:
Still Life in Motion: On Place, Placelessness, and the Neurodivergent Immigrant Gaze
Call Out
Virga Press
AICA International
Why we hate photography
Authors’ royalties and ALCS
The Writers’ Room
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![[c]CC Art School presents The [c] Word: Sarah-Jane Field](https://cloud-collective.net/wp-content/uploads/2025/06/BHAM-Book.jpg)
![[c]CC Art School presents The [c] Word: Dr Dawn Woolley](https://cloud-collective.net/wp-content/uploads/2025/06/DW_3-Dawn-Woolley-Rebel-Selves-Warrington.jpg)
