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Virga Gallery
Gallery II: Injection Site by Linda Alterwitz
Virga Studio Group
Virga Ozone
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Summer School 2025
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Critical Wednesday
Choosing Each Other: Respect, Freedom, and the Collective Conditions of Artistic Becoming
To be literate, visually or otherwise, is not to be elitist
Looking Back at Looking Back: Martin Parr, British Photography, and the legacy of problematic hierarchies
The Month With Two Faces: Art, Darkness, and the Strange Abundance of December
Desire on Display: How Art Reflects and Reshapes Consumer Culture
The Leicester Effect: Where Local Graft Meets Global Art Futures
Paris Photo 2025: Seeing the Market, Seeing Ourselves
AI Image Generation and Feminism: Seeing, Knowing, and Belonging in the Machine Age
From Crown Jewels to Creative Commons: What the Louvre Heist Reveals About Art, Theft, and AI
Reflections on creating Bakashimika International Photography Festival
Gypsy Woman (La Da Dee): the female traveller depicted in contemporary art practice
Becoming Otherwise: Art, Difference, Disability, and the Struggle for Freedom in 2025
The Problem of the Artist Statement
Impossible Nothings: On the Brilliance of Divergent Student Work
Layers of Memory:
A Meditation on Dual Icons: Queer Dialectics in Photographic Art
Still Life in Motion: On Place, Placelessness, and the Neurodivergent Immigrant Gaze
THE show about THAT hotdog
Aftertaste
Meditations on curating the Cromer Open
Merkins and Beautifying a Shaved Pubis
Weaving Currents with Tanvi Kant
Join the Review Team
Virga Press
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