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Summer School 2025
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Contemporary Art
Richard Ducker and ‘Reptiles in Space’ opens Virga Ozone, a new guest speaker progamme at Virga Gallery
Beyond the Studio: Why Critical Dialogue Matters to Contemporary Art Practice
Spill the ‘T’ – The Curatorial Response with Holly Rose O’Brien
Occupied: Strange Company at Safehouses 1 & 2, Peckham
Beichen Zhang: New Exorcist at Asymmetry
Spill the ‘T’ — The Art of Staying Afloat with Robert Good
The Virga Essay Series:
Announcing the launch of Virga Gallery and Press
The Virga Essay Series:
The Refusal to Settle: On the Intelligence of Artistic Shapeshifting
Where the example becomes the call
Choosing Each Other: Respect, Freedom, and the Collective Conditions of Artistic Becoming
To be literate, visually or otherwise, is not to be elitist
The Month With Two Faces: Art, Darkness, and the Strange Abundance of December
Desire on Display: How Art Reflects and Reshapes Consumer Culture
The Leicester Effect: Where Local Graft Meets Global Art Futures
AI Image Generation and Feminism: Seeing, Knowing, and Belonging in the Machine Age
Las Vegas Is Not Your Intellectual Spa Day
Gypsy Woman (La Da Dee): the female traveller depicted in contemporary art practice
The Problem of the Artist Statement
Impossible Nothings: On the Brilliance of Divergent Student Work
Layers of Memory:
[c]CC Art School presents The [c] Word: Karen Abadie
Aftertaste
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![[c]CC Art School presents The [c] Word: Karen Abadie](https://cloud-collective.net/wp-content/uploads/2025/08/KA_Kiln-after-shutdown.jpg)
